The Everyday Enchantment of Music 
Mark Strand

A rough sound was polished until it became a smoother sound, which was polished until it became music. Then the music was polished until it became the memory of a night in Venice when tears of the sea fell from the Bridge of Sighs, which in turn was polished until it ceased to be and in its place stood the empty home of a heart in trouble. Then suddenly there was sun and the music came back and traffic was moving and off in the distance, at the edge of the city, a long line of clouds appeared, and there was thunder, which, however menacing, would become music, and the memory of what happened after Venice would begin, and what happened after the home of the troubled heart broke in two would also begin.

What Things Want
Robert Bly

You have to let things
Occupy their own space.
This room is small,
But the green settee

Likes to be here.
The big marsh reeds,
Crowding out the slough,
Find the world good.

You have to let things
Be as they are.
Who knows which of us
Deserves the world more?

So Much Happiness
It is difficult to know what to do with so much happiness.
With sadness there is something to rub against,
a wound to tend with lotion and cloth.
When the world falls in around you, you have pieces to pick up,
something to hold in your hands, like ticket stubs or change.
But happiness floats.
It doesn't need you to hold it down.
It doesn't need anything.
Happiness lands on the roof of the next house, singing,
and disappears when it wants to.
You are happy either way.
Even the fact that you once lived in a peaceful tree house
and now live over a quarry of noise and dust
cannot make you unhappy.
Everything has a life of its own,
it too could wake up filled with possibilities
of coffee cake and ripe peaches,
and love even the floor which needs to be swept,
the soiled linens and scratched records….. Since there is no place large enough
to contain so much happiness,
you shrug, you raise your hands, and it flows out of you
into everything you touch. You are not responsible.
You take no credit, as the night sky takes no credit
for the moon, but continues to hold it, and share it,
and in that way, be known.

Naomi Shihab Nye

Sonnet 29

William Shakespeare 

When, in disgrace with Fortune and men's eyes,

I all alone beweep my outcast state,

And trouble deaf heaven with my bootless cries,

And look upon myself and curse my fate,

Wishing me like to one more rich in hope,

Featured like him, like him with friends possessed,

Desiring this man's art, and that man's scope,

With what I most enjoy contented least;

Yet in these thoughts myself almost despising,

Haply I think on thee, and then my state,

Like to the lark at break of day arising

From sullen earth, sings hymns at heaven's gate;

For thy sweet love remembered such wealth brings

That when I scorn to change my state with kings. 

Invitation

Oh do you have time
to linger
for just a little while
out of your busy

and very important day
for the goldfinches
that have gathered
in a field of thistles

for a musical battle,
to see who can sing 
the highest note,
or the lowest,

or the most expressive of mirth,
or the most tender?
Their strong, blunt beaks
drink the air

as they strive
melodiously
not for your sake
and not for mine

and not for the sake of winning
but for sheer delight and gratitude--
believe us, they say,
it is a serious thing

just to be alive 
on this fresh morning
in the broken world. 
I beg of you,

do not walk by
without pausing
to attend to this
rather ridiculous performance. 

It could mean something.  
It could mean everything. 
It could be what Rilke meant, when he said:
You must change your life. 

--Mary Oliver

The Man Who Has Many Answers

The man who has many answers
is often found
in the theaters of information
where he offers, graciously,
his deep findings.

While the man who has only questions,
to comfort himself, makes music.

--Mary Oliver

Tavern

Tavern
By Edna St. Vincent Millay

I'll keep a little tavern
Below the high hill's crest,
Wherein all grey-eyed people
May set them down and rest.

There shall be plates a-plenty,
And mugs to melt the chill
Of all the grey-eyed people
Who happen up the hill.
There sound will sleep the traveller,
And dream his journey's end,
But I will rouse at midnight
The falling fire to tend.
Aye, 'tis a curious fancy --
But all the good I know
Was taught me out of two grey eyes
A long time ago.

Yellow

Yellow Bowl

If light pours like water
into the kitchen where I sway
with my tired children,

if the rug beneath us
is woven with tough flowers,
and the yellow bowl on the table

rests with the sweet heft
of fruit, the sun-warmed plums,
if my body curves over the babies,

and if I am singing,
then loneliness has lost its shape,
and this quiet is only quiet.

--Rachel Contreni Flynn

National Poetry Month 2014

Sonnet

The way the world is not Astonished at you It doesn’t blink a leaf When we step from the house Leads me to think That beauty is natural, unremarkable And not to be spoken of Except in the course of things The course of singing and worksharing The course of squeezes and neighbors The course of you tying back your raving hair to go out And the course of course of me Astonished at you The way the world is not By Bill Knott

Ars Poetica

A poem should be palpable and mute
As a globed fruit

Dumb
As old medallions to the thumb

Silent as the sleeve-worn stone
Of casement ledges where the moss has grown -

A poem should be wordless
As the flight of birds

A poem should be motionless in time
As the moon climbs

Leaving, as the moon releases
Twig by twig the night-entangled trees,

Leaving, as the moon behind the winter leaves,
Memory by memory the mind -

A poem should be motionless in time
As the moon climbs

A poem should be equal to:
Not true

For all the history of grief
An empty doorway and a maple leaf

For love
The leaning grasses and two lights above the sea -

A poem should not mean
But be

 

--Archibald MacLeish

 

Thanks for joining me on this journey! Until next year.

A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. * A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. * A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be. - See more at: http://www.poets.org/viewmedia.php/prmMID/15222#sthash.v3GK3Rny.dpuf

A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. * A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. * A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be. - See more at: http://www.poets.org/viewmedia.php/prmMID/15222#sthash.v3GK3Rny.dpuf

Sometimes poems are short...

I'll love you with words
and kiss you in sentences.
Our love will write us.

--Tyler Knott Gregson

Sunday Song

The lovely Ella Fitzgerald singing the alliterative ditty, "Bewitched, Bothered and Bewildered."

ee cummings

“i love you much (most beautiful darling)
more than anyone on the earth and i
like you better than everything in the sky
—sunlight and singing welcome your coming
although winter may be everywhere
with such a silence and such a darkness
noone can quite begin to guess
(except my life) the true time of year—
and if what calls itself a world should have
the luck to hear such singing (or glimpse such
sunlight as will leap higher than high
through gayer than gayest someone’s heart at your each
nearness) everyone certainly would (my
most beautiful darling) believe in nothing but love”

--ee cummings

Spent

Late August morning I go out to cut
spent and faded hydrangeas--washed
greens, russets, troubled little auras

of sky as if these were the very silks
of Versailles, mottled by rain and ruin
then half-restored, after all this time...

When I come back with my handful
I realize I've accidentally locked the door,
and can't get back into the house.

The dining room window's easiest;
crawl through beauty bush and spirea,
push aside some errant maples, take down

the wood-framed screen, hoist myself up.
But how, exactly, to clamber across the sill
and the radiator down to the tile?

I try bending one leg in, but I don't fold
readily; I push myself up so that my waist
rests against the sill, and lean forward,

place my hands on the floor and begin to slide
down into the room, which makes me think
this was what it was like to be born:

awkward, too big for the passageway...
Negotiate, submit?
                          When I give myself
to gravity there I am, inside, no harm,

the dazzling splotchy flowerheads
scattered around me on the floor.
Will leaving the world be the same

--uncertainty as to how to proceed,
some discomfort, and suddenly you're
--where? I am so involved with this idea

I forget to unlock the door,
so when I go to fetch the mail, I'm locked out
again. Am I at home in this house,

would I prefer to be out here,
where I could be almost anyone?
This time it's simpler: the window-frame,

the radiator, my descent. Born twice
in one day!
                In their silvered jug,
these bruise-blessed flowers:

how hard I had to work to bring them
into this room. When I say spent,
I don't mean they have no further coin.

If there are lives to come, I think
they might be a littler easier than this one.

--Mark Doty

The Patience of Ordinary Things

It is a kind of love, is it not?
How the cup holds the tea,
How the chair stands sturdy and foursquare,
How the floor receives the bottoms of shoes
Or toes. How soles of feet know
Where they’re supposed to be.
I’ve been thinking about the patience
Of ordinary things, how clothes
Wait respectfully in closets
And soap dries quietly in the dish,
And towels drink the wet
From the skin of the back.
And the lovely repetition of stairs.
And what is more generous than a window?

by Pat Schneider

Poached this from Jeremiah; thanks!

Poetry and Art

This is beautiful. Watch here.

Blackout Poem

from neekaisweird

Because I Can

Click here to listen to David Tennant (the sexiest Scot alive) recite Shakespeare's Sonnet 18. You won't regret it...

Living in Numbers

Sunday, August 22, 2010:

Number of times I've woken up after

oversleeping and sprung out of bed like a ninja: 959

Number of broken bones: 3

Number of scars, physical: 4; emotional: 947

Number of funerals attended: 7

Number of friends, Facebook: 744, real: 9

Number of cavities filled: 0

Percentage of people I can stand in the world: 3.5

Number of times I've laughed so hard my sides would bruise: 2,972

Number of times I've wanted to bawl my eyes out: 320

Number of things I regret: 11

Number of things I know: 918,394

Monday, August 23, 2010:

Number of times I've woken up after oversleeping and sprung out  

   of bed like a ninja: 960

Number of broken bones: 3

Number of scars, physical: 4; emotional: 1,293

Number of funerals attended: 7

Number of friends, Facebook: 800, real: 7

Number of cavities filled: 0

Percentage of people I can stand in the world: 3.4

Number of times I've laughed so hard my sides would bruise: 2,973

Number of times I've wanted to bawl my eyes out: 321

Number of things I regret: 13

Number of things I know: 918,390

--Claire Lee

Poem in Your Pocket Day

The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

--Mary Oliver